A/PROF. DAN GOLDING
Image credit: Michelle Grace Hunder / ABC
Associate Professor Dan Golding is Deputy Chair of Media and Communication at Swinburne University, the host of Screen Sounds on ABC Classic, and an award-winning composer and writer.
Dan is the author of Star Wars After Lucas (University of Minnesota Press, 2019), and with Leena van Deventer the co-author of Game Changers (Affirm Press, 2016). He also created the soundtrack for the BAFTA, DICE, and GDCA winning Untitled Goose Game (2019), which became the first game soundtrack to be nominated for an ARIA award in history. Other composing includes the soundtracks for Mars First Logistics (2023), Push Me Pull You (2016) and the Frog Detective series, for which his score for The Haunted Island (2018) won the inaugural APRA-AMCOS Australian Game Developer award for Best Music. Dan composed the theme for the ABC’s flagship podcast, ABC News Daily, as well as creating Swinburne’s next_gen now audio branding.
Dan co-hosts the popular film music podcast Art of the Score, and in 2018, Dan presented What Is Music for ABC iView and Triple J with Linda Marigliano. He regularly hosts events and concerts, and has worked with the Melbourne Symphony Orchestra, the Tasmanian Symphony Orchestra, the Sydney Symphony Orchestra, and the Australian Chamber Orchestra to audiences in their thousands at the Sydney Opera House, Hamer Hall, and the Sidney Myer Music Bowl.
For over a decade Dan has written journalism and commentary for a wide variety of publications (ABC Arts, Crikey, Buzzfeed, Meanjin, Saturday Paper), and is a video essayist with more than 1 million views on YouTube. From 2014-2017 Dan was director of the Freeplay Independent Games Festival.
Infrequent news, updates, and writing from Dan Golding’s Substack newsletter.
COMPOSING
Dan is an experienced composer for videogames, podcasts, and screen, with credits on shipped games for all major platforms and composing experience for major institutions and broadcasters. He can compose in any genre, working digitally or acoustically, and relishes a musical challenge.
Dan created the soundtrack for the BAFTA, DICE, and GDCA winning Untitled Goose Game (2019), which became the first game soundtrack to be nominated for an ARIA award in history. In 2022, his music for the game was performed live by Orchestra Victoria (pictured) in collaboration with the Australian Centre for the Moving Image in one of the world’s only live videogame soundtrack performances. The performance was highlighted as a key case study in the 2023 National Cultural Policy, “Revive”.
His most recent soundtracks include Shape Shop’s Mars First Logistics (2023), and the final instalment in the widely-loved Frog Detective series, Corruption at Cowboy County (Worm Club). “Golding’s ability and commitment to the theme adds a layer of seriousness to [Frog Detective] that brilliantly [manages] to provoke even more silliness from its charming core,” writes Eurogamer. Dan’s score for the first game in the series, The Haunted Island (2018) won the APRA-AMCOS Australian Game Developer award for Best Music. Upcoming projects includes Paper House’s Wood & Weather.
Dan is also an experienced composer for podcasts, and recently composed the theme for the ABC’s flagship podcast, ABC News Daily. He also created Swinburne’s next_gen now audio branding, heard on all broadcast advertising.
BROADCASTING
Dan is an award-winning journalist and broadcaster with a decade of experience in radio, podcasting, television, and print media.
Dan is heard around Australia as the host of Screen Sounds on ABC Classic, a weekly hour-long radio show dedicated to film and television soundtracks. Screen Sounds is broadcast on Sundays at 3pm. In 2022, Dan hosted the Melbourne Symphony Orchestra live at the Sidney Myer Music Bowl to a capacity crowd of 10,000 people.
In 2018, Dan presented What Is Music, an 15-episode TV and streaming series for ABC iView and Triple J with Linda Marigliano. Radio National commissioned and broadcast Dan’s ‘A Short History of Videogames’ 4-part documentary series in 2014.
With conductor and composer Nicholas Buc and musician Andrew Pogson, Dan co-hosts the popular film music podcast Art of the Score, which explores in detail the art of music for the screen. Art of the Score has also recently expanded to live talks and concerts, and Dan has co-hosted sold-out concerts for the Melbourne Symphony Orchestra at Hamer Hall and the Sydney Symphony Orchestra at the Opera House.
For over a decade Dan has written hundreds of works of journalism and commentary for a wide variety of publications (ABC Arts, Crikey, Buzzfeed, Meanjin, Saturday Paper). In 2012 he won the Lizzie Award for Best Games Journalist.
Listen to the latest episodes of Screen Sounds on demand either on the ABC Classic website or subscribe on the ABC Listen App.
Watch all episodes of What Is Music an 15-episode TV and streaming series for ABC iView and Triple J with Linda Marigliano, now.
Listen to all four episodes of Dan’s 2014 Radio National documentary series, ‘A Short History of Videogames’ online now.
Listen to every episode of Art of the Score, cohosted by Dan Golding, Andrew Pogson and Nicholas Buc, online now.
BOOKS AND PUBLISHING
A widely-published writer and researcher, Dan has contributed to many anthologies, and so far is the author of two monographs.
Dan is the author of Star Wars After Lucas (University of Minnesota Press, 2019), the first scholarly monograph to explore politics, craft, and cultural nostalgia in the remaking of the Star Wars for a new age by the Disney corporation. Focusing on The Force Awakens (2015), Rogue One (2016), The Last Jedi (2017), and the television series Rebels (2014–18), Dan Golding explores the significance of pop culture nostalgia in overcoming the skepticism, if not downright hostility, that greeted the Star Wars relaunch. “Dan Golding’s wonderful book strikes a perfect balance between criticism and knowledgeable fandom,” writes Dan Hassler-Forest, Coeditor of Star Wars and the History of Transmedia Storytelling.
In 2016, Dan co-authored Game Changers: From Minecraft to Misogyny, the Fight for the Future of Videogames for Affirm Press with Leena van Deventer. Authors Dan Golding and Leena van Deventer use their extensive experience in the videogame industry, both as players and professionals, to examine how games culture is growing, diversifying and changing for the better.
SCHOLARLY RESEARCH
As Associate Professor and Deputy Chair of Media and Communication at Swinburne University of Technology, Dan Golding researches and publishes media and cultural theory. Dan also teaches third year Cinema and Screen units, and previously spent many years running the first year Introduction to Media Studies unit.
Dan has published academic work on special effects, VR, videogames, and blockbuster cinema in journals like Convergence, TEXT, Senses of Cinema, and Continuum. Recent publications include:
Keogh, B, Golding, D, and Hardwick, T. (2023) Australian Music in Games 2023 Benchmark, Queensland University of Technology and Swinburne University of Technology, Australia.
Golding, D. (2021). “Finding Untitled Goose Game’s Dynamic Music in the World of Silent Cinema,” Journal of Sound and Music in Games, 2(1): 1–16.
Golding, D. (2021). “The memory of perfection: Digital faces and nostalgic franchise cinema.” Convergence, 27(4): 855–867.
Golding, D. (2021). “Great Directors: George Lucas,” Senses of Cinema, 99.
Golding, D. (2020). Ennio Morricone and the Stuff of Cinema Senses of Cinema, 95.
Golding, D. (2019). “Far from paradise: The body, the apparatus and the image of contemporary virtual reality.” Convergence, 25(2), 340–353.
Albarrán Torres, C. and Golding, D. (2019). “Creed: legacy franchising, race and masculinity in contemporary boxing films,” Continuum, 33(3): 310-323.
Golding, D. (2018). “Writing games: Popular and critical videogame writing over time,” TEXT, 49.
MEDIA PROFILES AND INTERVIEWS
PROFILE:
I speak with Kate Holden for The Saturday Paper about my academic work, my music, my broadcasting, and writing.
INTERVIEW:
I speak with Kirk Hamilton for an extended episode of his beloved podcast, Strong Songs.
COVER STORY:
An interview with me about my music for Untitled Goose Game is the cover story for Limelight Magazine‘s 200th issue.